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In the first week, rehearsals tended to have two parts – sitting down, and standing up. When sat down we worked through the text and explored its moments, defined its units, clarified confusions and speculated about mysteries. combat the fat reviews and error nuker

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every time I’m asked a question I get slightly stressed because it’s possible that I won’t know the answer and that this will lead to a terrible unravelling of the whole play until it’s just a mess of fabric on the floor.
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In response to:Rehearsals

Sun, 01 Feb 2009 21:06:04 +0100

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That is an exhaustive rehearsal schedule. With these hard works your play is sure to be a large success.

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Fri, 23 Jan 2009 20:05:32 +0100

I think it’s going to be fine.Small changes are still being made to the play – I’m amazed at the way the cast have been able to absorb them almost without blinking.
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How – if a play’s at all textured in terms of its imagery, that comes from getting to a certain point with a draft, getting some distance, and then perceiving the threads, and finding or adding other wisps to knot to. Just as characters go on journeys, so do ideas and sounds and voices and jokes.
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